That crap about being better off under slavery is too much even for you, isn't it, Foy?''At least McJones cares.''Come on, he cares about black people like a seven-footer cares about football. He has to care because what else would he be good at.
In "The Sellout" by Paul Beatty, the dialogue highlights the absurdity of justifying slavery as being preferable to modern hardships. The character challenges Foy's views, questioning the validity of suggesting that any past oppression could provide a benefit. This reflects a broader critique of how people perceive the struggles of marginalized communities. Furthermore, the conversation shifts to McJones, who is depicted as being performative in his concern for Black people, suggesting that his motivations stem from self-interest rather than genuine empathy. This commentary underscores the complexities of racial identity and the often superficial nature of societal concern, illustrating the irony inherent in the characters' relationships with their history and each other.
In "The Sellout" by Paul Beatty, the dialogue highlights the absurdity of justifying slavery as being preferable to modern hardships. The character challenges Foy's views, questioning the validity of suggesting that any past oppression could provide a benefit. This reflects a broader critique of how people perceive the struggles of marginalized communities.
Furthermore, the conversation shifts to McJones, who is depicted as being performative in his concern for Black people, suggesting that his motivations stem from self-interest rather than genuine empathy. This commentary underscores the complexities of racial identity and the often superficial nature of societal concern, illustrating the irony inherent in the characters' relationships with their history and each other.
