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Book: Heretics and Heroes: How Renaissance Artists and Reformation Priests Created Our World
Quotes of Book: Heretics and Heroes: How
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  1. Thomas Cahill _ Heretics and Heroes: How

    Cujus regio, ejus religio {Whose region it is, his is the religion}.
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  2. Thomas Cahill _ Heretics and Heroes: How

    In its manuals for priestly confessors, the church enumerates the sins we must all confess, listing these in order of seriousness from the least {venial} to the most serious {mortal}, to those so grave as to entail formal excommunication from the Communion of Saints and, therefore, requiring special dispensation, such as a writ of forgiveness issued by a bishop or pope.
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  3. Thomas Cahill _ Heretics and Heroes: How

    The Cost of Discipleship, his meditation on Jesus's Sermon on the Mount, disparaging the "cheap grace" of the majority of German Christians in favor of the "costly grace" that linked Christian belief to social courage.
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  4. Thomas Cahill _ Heretics and Heroes: How

    Next panel {Plate 9}: Adam and Eve-painted by Masaccio-as they are thrown out of Eden. {Masaccio seems to have been, too.} The figures are less standard, even less accurate, than Masolino's: Adam's arms are far too short, his right calf is impossibly bowlegged; Eve's arms are of unequal length and she is dumpier than in Masolino's version, with a fat back and hefty haunches and an awfully thick right ankle. But they are alive, believable, fleshy!-and being pushed forward into all the horror of real life. Adam's stomach, sucked in and emphasizing his vulnerable ribs, displays the tension of inconsolable grief; Eve's hands, placed to shield her belles choses {and copied by Masaccio from the teasing poses of ancient Venuses}, have been transformed into demonstrations of irremediable shame. Her breast, peeking out above her wrist, is a real breast; and Adam's genitals are downright funky-not smoothly attractive, not ready for the style section of the Sunday newspaper, just their grotty selves. Never before had such nudes been seen or even thought of. How far they are from the ideal figures of the ancients, as well as from the self-censoring expressions of so many Christian centuries.
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  5. Thomas Cahill _ Heretics and Heroes: How

    Twas God the Word that spake it, He took the Bread and brake it; And what the Word did make it That I believe, and take it.
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  6. Thomas Cahill _ Heretics and Heroes: How

    Translating Plato's philosophy to the context of Christian belief, Augustine finds that "out of a certain compassion for the masses God Most High bent down and subjected the authority of the divine intellect even to the human body itself"-in the incarnation of Jesus, the God-Man-so that God might recall "to the intelligible world souls blinded by the darkness of error and befouled by the slime of the body.
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  7. Thomas Cahill _ Heretics and Heroes: How

    This was why sudden death was so feared: it did not give you time to put your spiritual house in order. You might have meant to repent but hadn't quite got round to it. Too bad. Down you go. All the way.
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  8. Thomas Cahill _ Heretics and Heroes: How

    This is a game that has been played over and over-in fact, for twenty-four centuries-before audiences of almost infinite variety. At some point long ago, the game became a doubles match, for the two Greek philosophers were joined by two medieval Christian theologians: Plato by Augustine of Hippo, who could nearly equal him in style and seriousness; Aristotle by Thomas Aquinas, nearly as styleless as Aristotle but, though overweight, ungainly, and blinking in the sun, extremely thoughtful and genial-the sort of athlete who is always undervalued."
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