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Book: How to Read a Poem
Quotes of Book: How to Read a Poem

Terry Eagleton _ How to Read a Poem
A poem is a piece of semiotic sport, in which the signifier has been momentarily released from its grim communicative labours and can disport itself disgracefully. Freed from a loveless marriage to a single meaning, it can play the field, wax promiscous, gambol outrageously with similar unattached signifiers. If the guardians of conventional morality knew what scandalous stuff they were inscribing on their tombstones, they would cease to do so immediately.
book-quote poetry
Terry Eagleton _ How to Read a Poem
The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point:Let us go then, you and I,When the evening is spread out against the skyLike a patient etherised upon a table...How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition.
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Terry Eagleton _ How to Read a Poem
The imagination is also sometimes commended for offering us in vicarious form experiences which we are unable to enjoy at first hand. If you can't afford an air ticket to Kuala Lumpur, you can always read Conrad and imagine yourself in South-East Asia. If you have been monotonously married for forty years, you can always lay furtive hands on a copy of James Joyce's letters. Literature on this view is a kind of supplement to our unavoidably impoverished lives - a sort of spiritual prosthesis which extends our capabilities beyond their normal restricted range. It is true that everyone's experience is bound to be limited, and that art can valuably augment it. But why the lives of so many people should be imaginatively impoverished is then a question that can be easily passed over.
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Terry Eagleton _ How to Read a Poem
Being brought up in a culture is a matter of learning appropriate forms of feeling as much as particular ways of thinking.
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Terry Eagleton _ How to Read a Poem
What we consume now is not objects or events, but our experience of them. Just as we never need to leave our cars, so we never need to leave our own skulls. The experience is already out there, as ready-made as a pizza, as bluntly objective as a boulder, and all we need to do is receive it. It is as though there is an experience hanging in the air, waiting for a human subject to come alone and have it. Niagara Falls, Dublin Castle and the Great Wall of China do our experiencing for us. They come ready-interpreted, thus saving us a lot of inconvenient labour. What matters is not the place itself but the act of consuming it. We buy an experience like we pick up a T-shirt.
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