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Book: On the Air: The Encyclopedia of Old-Time Radio
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John Dunning _ On the Air: The Encyclopedia
But Dragnet evolved slowly. Webb pondered the idea he had received from Marty Wynn and developed it for more than a year. Realism should be the show's hallmark: the stories should be authentic to the last sound effect. He began hanging out at police headquarters, riding with detective teams on house calls. He attended classes at the police academy, becoming fluent in police terminology and technique. But when he prepared his series proposal, NBC was unimpressed. It sounded like just another cop show, without the contrived thrill trappings. Webb was told to prepare an audition record: he had one week to pull it together. With his audition disc in hand, his next job was to obtain the cooperation of the police. This was essential, for the series Webb envisioned could not be done without it. He wanted to get his stories from official files, to show the step-by-step procedure used by real officers in tracking down a real criminal.
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