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Book: Reductionism in Art and Brain Science: Bridging the Two Cultures
Quotes of Book: Reductionism in Art and Brain
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  1. Eric R. Kandel _ Reductionism in Art and Brain

    How can two mutually exclusive behaviors-mating and fighting-be mediated by the same population of neurons? Anderson found that the difference hinges on the intensity of the stimulus applied. Weak sensory stimulation, such as foreplay, activates mating, whereas stronger stimulation, such as danger, activates aggression. In 1952 Meyer Schapiro paid
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  2. Eric R. Kandel _ Reductionism in Art and Brain

    We have seen that the region of our brain known as the amygdala orchestrates emotion and that it communicates with the hypothalamus, the region that houses the nerve cells that control instinctive behavior such as parenting, feeding, mating, fear, and fighting {chapter 3, fig. 3.5}. Anderson found a nucleus, or cluster of neurons, within the hypothalamus that contains two distinct populations of neurons: one that regulates aggression and one that regulates mating {fig. 7.8}. About 20 percent of the neurons located on the border between the two populations can be active during either mating or aggression. This suggests that the brain circuits regulating these two behaviors are intimately linked.
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  3. Eric R. Kandel _ Reductionism in Art and Brain

    Woman I is considered to this day to be one of the most anxiety-producing and disturbing images of a woman in the history of art. In this painting de Kooning, who was reared by an abusive mother, creates an image that captures the divergent dimensions of the eternal woman: fertility, motherhood, aggressive sexual power, and savagery. She is at once a primitive earth mother and a femme fatale. With this image, marked by fanglike teeth and huge eyes that echo the shape of her enormous breasts, de Kooning gave birth to a new synthesis of the female. 7.6 The first known female sculpture, the Venus of Hohle Fels, circa 35,000 B.C.
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  4. Eric R. Kandel _ Reductionism in Art and Brain

    Mark Stevens and Annalyn Swan {2004}, biographers of de Kooning, say that he was caught up in the excitement of the American century and felt he needed to seize the day. They write: Excavation was first and foremost an excavation of desire. The body was always turning up in the paint, evocatively, but could never be held for long in the eye: the flesh could never be entirely possessed. Any more settled description of the body would have diminished the sensation of physical movement, such as the caress of the hand or a leap of the heart, that was also a vital part of desire.
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  5. Eric R. Kandel _ Reductionism in Art and Brain

    Mark Stevens and Annalyn Swan {2004}, biographers of de Kooning, say that he was caught up in the excitement of the American century and felt he needed to seize the day. They write: Excavation was first and foremost an excavation of desire. The body was always turning up in the paint, evocatively, but could never be held for long in the eye: the flesh could never be entirely possessed. Any more settled description of the body would have diminished the sensation of physical movement, such as the caress of the hand or a leap of the heart, that was also a vital part of desire."
    book-quote
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