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South and West: From a Notebook
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South and West: From a Notebook
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Joan Didion
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South and West: From a
In Coffeeville, Miss., at 6 p.m., there was a golden light and a child swinging in it, swinging from a big tree, over a big lawn, back and forth in front of a big airy house. To be a white middle-class child in a small southern town must be on certain levels the most golden way for a child to live in the United States.
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Joan Didion
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South and West: From a
In New Orleans they have mastered the art of the motionless. In
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Joan Didion
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South and West: From a
The time warp: the Civil War was yesterday, but 1960 is spoken of as if it were about three hundred years ago."
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Joan Didion
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South and West: From a
In New Orleans the wilderness is sensed as very near, not the redemptive wilderness of the western imagination but something rank and old and malevolent, the idea of wilderness not as an escape from civilization and its discontents but as a mortal threat to a community precarious and colonial in its deepest aspect. The effect is lively and avaricious and intensely self-absorbed, a tone not uncommon in colonial cities, and the principal reason I find such cities invigorating.
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Joan Didion
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South and West: From a
I had only some dim and unformed sense, a sense which struck me now and then, and which I could not explain coherently, that for some years the South and particularly the Gulf Coast had been for America what people were still saying California was, and what California seemed to me not to be: the future, the secret source of malevolent and benevolent energy, the psychic center.
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identity
Joan Didion
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South and West: From a
The devastation along the Gulf had an inevitability about it: the coast was reverting to its natural state."
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Joan Didion
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South and West: From a
In the South they are convinced that they have bloodied their place with history. In the West we do not believe that anything we do can bloody the land, or change it, or touch it."
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south
west
Joan Didion
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South and West: From a
About the cathouse: the notion that an accepted element in the social order is a whorehouse goes hand in hand with the woman on a pedestal.
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Joan Didion
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South and West: From a
Part of it is simply what looks right to the eye, sounds right to the ear. I am at home in the West. The hills of the coastal ranges look "right" to me, the particular flat expanse of the Central Valley comforts my eye. The place names have the ring of real places to me. I can pronounce the names of the rivers, and recognize the common trees and snakes. I am easy here in a way that I am not easy in other places.
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Joan Didion
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South and West: From a
I have been looking all my life for history and have yet to find it.
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Joan Didion
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South and West: From a
To be a white middle-class child in a small southern town must be on certain levels the most golden way for a child to live in the United States.
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Joan Didion
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South and West: From a
It was the kind of Sunday to make one ache for Monday morning."
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sunday
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