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Book: The War Of Art: Winning the Inner Creative Battle
Quotes of Book: The War Of Art: Winning the
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  1. Steven Pressfield _ The War Of Art: Winning the

    The artist and the fundamentalist arise from societies at differing stages of development. The artist is the advanced model. His culture possesses affluence, stability, enough excess of resource to permit the luxury of self-examination. The artist is grounded in freedom. He is not afraid of it. He is lucky. He was born in the right place. He has a core of self-confidence, of hope for the future. He believes in progress and evolution. His faith is that humankind is advancing, however haltingly and imperfectly, toward a better world. The fundamentalist entertains no such notion. In his view, humanity has fallen from a higher state. The truth is not out there awaiting revelation; it has already been revealed. The word of God has been spoken and recorded by His prophet, be he Jesus, Muhammad, or Karl Marx. Fundamentalism is the philosophy of the powerless, the conquered, the displaced and the dispossessed.
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  2. Steven Pressfield _ The War Of Art: Winning the

    The sign of the amateur is overglorification of and preoccupation with the mystery.
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  3. Steven Pressfield _ The War Of Art: Winning the

    We master the technique of our jobs.
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  4. Steven Pressfield _ The War Of Art: Winning the

    Instead we are tapped into an unquenchable, undepletable, inexhaustible source of wisdom, consciousness, companionship. Yeah, we lose friends. But we find friends too, in places we never thought to look. And they're better friends, truer friends. And we're better and truer to them.
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  5. Steven Pressfield _ The War Of Art: Winning the

    In my view, the amateur does not love the game enough. If he did, he would not pursue it as a sideline, distinct from his "real" vocation.
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  6. Steven Pressfield _ The War Of Art: Winning the

    the truly free individual is free only to the extent of his own self-mastery.
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  7. Steven Pressfield _ The War Of Art: Winning the

    Do you understand? I hadn't written anything good. It might be years before I would, if I ever did at all. That didn't matter. What counted was that I had, after years of running from it, actually sat down and done my work.
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  8. Steven Pressfield _ The War Of Art: Winning the

    Monopoly money; it's not legal tender in that sphere where we have to do our work. In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.
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  9. Steven Pressfield _ The War Of Art: Winning the

    Remember, the part of us that we imagine needs healing is not the part we create from; that part is far deeper and stronger. The part we create from can't be touched by anything our parents did, or society did. That part is unsullied, uncorrupted; soundproof, waterproof, and bulletproof. In fact, the more troubles we've got, the better and richer that part becomes.
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  10. Steven Pressfield _ The War Of Art: Winning the

    The professional has learned better. He respects Resistance. He knows if he caves in today, no matter how plausible the pretext, he'll be twice as likely to cave in tomorrow.
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  11. Steven Pressfield _ The War Of Art: Winning the

    The writer is an infantryman. He knows that progress is measured in yards of dirt extracted from the enemy one day, one hour, one minute at a time and paid for in blood. The artist wears combat boots. He looks in the mirror and sees GI Joe. Remember, the Muse favors working stiffs. She hates prima donnas. To the gods the supreme sin is not rape or murder, but pride.
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  12. Steven Pressfield _ The War Of Art: Winning the

    The amateur has not mastered the technique of his art. Nor does he expose himself to judgment in the real world. If we show our poem to our friend and our friend says, "It's wonderful, I love it," that's not real-world feedback, that's our friend being nice to us. Nothing is as empowering as real-world validation, even if it's for failure.
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