And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I'm not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of "I want you" in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully.
"Listen, I've got to go," I say, checking my Rolex. "I don't want to miss… Stupid Pet Tricks.
"Listen, I've got to go," I say, checking my Rolex. "I don't want to miss… Stupid Pet Tricks.
( Bret Easton Ellis )
[ American Psycho ]
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