Author:  Paul Beatty
Book:    Slumberland
Viewed: 114 - Published at: 9 years ago

At least Lars was curious about the appeal of jazz to black folk; for most observers, such ponderation is akin to contemplating why gorillas like bananas. The attractiveness of jazz to the nonblack is well documented in publicly funded documentaries where experts speak of jazz in the past tense. They look authoritatively into the camera and ingratiate themselves with the Man by saying things like, "White people were hearing something in jazz that says something deeply about their experience. I'm not sure that it would have been this way if we were not a country of immigrants . . . so many people felt kind of displaced . . . I think that was part of its amazing appeal, was how it spoke to feeling out of sort and out of joint and maladjusted."
What hogwash. Does my fondness for classical music make me well adjusted? Besides, people who are really fucked up don't turn to jazz; they turn to heroin, opium, whiskey, and Vonnegut.

( Paul Beatty )
[ Slumberland ]
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