My colleague Michael Harris, a distinguished number theorist at the Institut de Mathematiques de Jussieu in Paris, has a theory that three of Thomas Pynchon's major novels are governed by the three conic sections: Gravity's Rainbow is about paraboloas {all those rockets, launching, dropping!}, Mason & Dixon about ellipses, and Against the Day about hyperbolas. This seems as good to me as any other organizing theory of these novels I've encountered; certainly Pynchon, a former physics major who likes to drop references to Mobius strips and the quaternions in his novels, knows very well what the conic sections are.
( Jordan Ellenberg )
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