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Once, when he had just lulled her to sleep but she had gone no farther than dream's antechamber and was therefore still responsive to him, he said to her, "Good-bye, I'm going now." "Where?" she asked in her sleep. "Away," he answered sternly. "Then I'm going with you," she said, sitting up in bed. "No, you can't. I'm going away for good," he said, going out into the hall. She stood up and followed him out, squinting. She was naked beneath her short nightdress. Her face was blank, expressionless, but she moved energetically. He walked through the hall of the flat into the hall of the building {the hall shared by all the occupants}, closing the door in her face. She flung it open and continue to follow him, convinced in her sleep that he meant to leave her for good and she had to stop him. He walked down the stairs to the first landing and waited for her there. She went down after him, took him by the hand, and led him back to bed.
Tomas came to this conclusion: Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation {a desire that extends to an infinite number of women} but in the desire for shared sleep {a desire limited to one woman}.

( Milan Kundera )
[ The Unbearable Lightness of ]
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