This backwards journey in the narrating of this 'membering, this remembrance, is a lesson I learned from Geoffrey Chaucer's Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a "new" language. And to explain the result of this experiment, I said that I intended to "creolize Oxford English.
( Austin Clarke )
[ 'Membering ]
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