In Naguib Mahfouz's narrative, we witness a character navigating the complexities of faith and desire. Engaging in religious practices, he maintains a dual life where he also participates in societal rituals associated with romance, such as the game of bride and groom. This juxtaposition highlights the internal conflicts he faces, balancing religious devotion with human instincts.

Meanwhile, his mother remains oblivious to his contradictions, finding comfort in his apparent religiosity. This dynamic underscores the theme of perception, where the outward expression of faith can mask deeper, more absurd realities. Sadiq Safwan's inquiries further deepen the exploration of these themes, questioning the authenticity and implications of the character's experiences.