A boutonniere rested beside each plate. Everyone wore tuxedos. There was not a woman in sight.
In "The Devil in the White City," Erik Larson captures a scene where an elegant gathering is characterized by the presence of boutonnières placed next to each place setting. This detail highlights the formality of the event, suggesting a celebration or important occasion attended solely by men in tuxedos. The absence of women at this gathering adds a layer of intrigue, emphasizing a historical context where such events were often male-dominated.
The imagery presented through the author's description paints a vivid picture of the atmosphere, suggesting a sense of exclusivity and tradition. As Larson delves into this era, he intertwines themes of ambition and darkness, creating a narrative that reflects both the splendor of the time and the underlying complexities of society. This setting is not just about a gathering; it represents a snapshot of a moment in history that is both grand and revealing.
