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In "Lola and the Boy Next Door" by Stephanie Perkins, the protagonist's appearance reflects her emotional state, with her hair appearing more startled than usual. This detail emphasizes her feelings of surprise or confusion in a certain situation.
The quote highlights how external appearances can mirror inner emotions, adding depth to Lola's character. It suggests a moment of unexpected tension or realization, capturing a vivid image of her reaction to an unfolding event or realization.
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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
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All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
Alexander McCall Smith
The Red Lion was a four-ale bar with a handful of lowbrowed sons of toil who looked as though they might be related to one another in ways frowned on by the Old Testament.
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The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
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In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
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Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search.
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I shrugged.
You see?
He leaned back. He smiled.
When you come to the end, that's where God begins.
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Small towns are like metronomes; with the slightest flick, the beat changes.
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You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
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we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
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But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
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