I really like you, Midori. A lot.How much is a lot?Like a spring bear, I said.A spring bear? Midori looked up again. What's that all about? A spring bear.You're walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, Hi, there, little lady. Want to tumble with me?' So you and the bear cub spend the whole day in each other's arms, tumbling down this clover-covered hill. Nice, huh?Yeah. Really nice.That's how much I like you.
by Haruki Murakami
(0 Reviews)

In this passage from Haruki Murakami's "Norwegian Wood," the protagonist expresses his deep affection for Midori through a whimsical analogy. He likens his feelings to a joyful encounter with a spring bear cub, emphasizing innocence and delight. This imaginative depiction suggests a carefree, playful bond between them, highlighting the warmth of his emotions.

Midori's curiosity about the metaphor indicates her intrigue and the tenderness of their connection. The protagonist's detailed description of their playful day together in the fields conveys a sense of pure happiness, reinforcing how significant she is to him. Through this dialogue, the author beautifully illustrates the complexity of love and the simplicity of genuine affection.

Stats

Categories
Votes
0
Page views
3
Update
February 25, 2025

Rate the Quote

Add Comment & Review

User Reviews

Based on 0 reviews
5 Star
0
4 Star
0
3 Star
0
2 Star
0
1 Star
0
Add Comment & Review
We'll never share your email with anyone else.
More »

Popular quotes

Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
by Mitch Albom
Small towns are like metronomes; with the slightest flick, the beat changes.
by Mitch Albom
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
by Mitch Albom
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
by Alexander McCall Smith
I have the tendency to be nervous at the sight of trouble looming. As the danger draws near, I become less nervous. When the peril is at hand, I swell with fierceness. As I grapple with my assailant, I am without fear and fight to the finish with little thought of injury.
by Jean Sasson
But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
by David Mitchell
There's lying," says Mum, fishing out the envelope she wrote the directions on from her handbag, "which is wrong, and there's creating the right impression, which is necessary.
by David Mitchell