I remembered some of what I'd read in the past: the small group of the original Impressionists, including one woman-Berthe Morisot- who'd first banded together in 1874 to exhibit works in a style that the Paris Salon found too experimental for inclusion. We postmoderns take them for granted, or disdain them, or love them too easily.
The passage reflects on the early Impressionist movement, highlighting the original group of artists who came together in 1874, notably including Berthe Morisot, the only woman amongst them. Their work was considered too radical by the established Paris Salon, which ultimately led them to create their own exhibitions. This historical context underscores their pioneering spirit and the challenges they faced in gaining recognition for their innovative style.
The author contrasts the...
