It was a haven, a little island of light in the darkness of the downtown, very like the diner in Edward Hopper's painting 'The Nighthawks'.
In 'Neither Here Nor There: Travels in Europe', Bill Bryson captures the essence of a unique place he encounters amid the bustling downtown. He compares it to Edward Hopper's iconic painting 'The Nighthawks', evoking a sense of tranquility and refuge. This spot serves as a comforting respite, a little oasis filled with warmth, contrasting starkly against the chaos of the surrounding urban environment.
By likening this haven to Hopper's artwork, Bryson emphasizes its serene qualities and the sense of belonging it offers. It embodies a moment of stillness where one can escape the overwhelming nature of city life, creating a vivid image of a cozy diner that resonates with both nostalgia and solace.
