It was not an esthetic room. Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind.
by Sinclair Lewis
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In Sinclair Lewis's novel "Elmer Gantry," the character Frank Shallard represents a perspective where the appreciation of art is overshadowed by a moralistic view. He has been conditioned to see art primarily as a vehicle for conveying moral lessons rather than for its aesthetic value. Consequently, he values works that promote virtuous messages, like kindness exemplified by the bishop in "Les Miserables," while dismissing those that do not align with his ethical views, such as "The Scarlet Letter," due to its focus on sin.

This illustrates a broader theme in the book regarding the conflict between moralism and genuine appreciation of art. Shallard's judgment is limited by his training, leading him to overlook the complexities and nuances of literary works. In a room devoid of aesthetic qualities, the emphasis is placed on the moral messages rather than the beauty or emotional impact of the art itself, reflecting a critical commentary on how certain worldviews can restrict a deeper understanding and enjoyment of culture and creativity.

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