It was one of those buildings that you don't so much as look at as bathe in.
In "Neither Here Nor There: Travels in Europe," Bill Bryson explores the beauty and presence of certain architecture that captivates the observer. He describes a building in such a way that it transcends mere visual observation; instead, it envelops one's senses, allowing for a more immersive experience. This perspective suggests a deep appreciation for the nuances of design and the emotional responses that buildings can evoke.
Bryson's reflection highlights how some architectural wonders demand attention not just through sight but through a more profound, almost spiritual interaction. His phrasing conveys the idea that these spaces possess a unique aura, creating moments that linger in the mind, making them unforgettable parts of one's travels through Europe.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
