Messengers wait outside the door, to carry urgent orders for release. It is difficult, when the pen skips over a name, to associate it with the corpse it might belong to, tomorrow or the day after that. There is no sense of evil in the room, just tiredness and the aftertaste of petty squabbling. Camille drinks quite a lot of Fabre's brandy. Towards daybreak, a kind of dismal camaraderie sets in.
In a poignant scene, messengers are poised to deliver critical orders for release, highlighting the tension and urgency within the room. The atmosphere is heavy with the weight of impending doom as the pen, representing fate, bypasses names, illustrating the uncertainty of life and death that looms over the characters. This disconnection between identity and mortality evokes a somber reflection on the human condition in times of strife.
Despite the dire circumstances, the tone shifts to one of weary resignation, characterized by a lack of malevolence but rather an exhaustion from trivial disputes. Camille's indulgence in Fabre's brandy serves as a temporary escape from the grim reality. As dawn approaches, a sense of bleak camaraderie develops among those present, uniting them in their shared distress and the human experience of facing the unknown together.
