She read modern fiction too. Always fiction. She hated to hear the word 'escape' used about fiction. She might have argued, not just playfully, that it was real life that was the escape. But this was too important to argue about.
In Alice Munro's "Too Much Happiness," the protagonist’s relationship with fiction is explored. She immerses herself in modern literature, preferring it over other genres, and develops a deep disdain for the notion that fiction serves merely as an escape from reality. This frustration with the term 'escape' signifies her belief that it is reality itself that passengers seek to evade.
Furthermore, the character feels that debating this perspective is unnecessary and possibly trivial, indicating that her convictions about the nature of literature and life are profound. Through her reflections, Munro invites readers to reconsider the role of fiction, emphasizing its intrinsic connection to life's complexities rather than its function as a mere diversion.
