She was afraid to be alone. She didn't know what to do; she couldn't spend another moment thinking about this, beating herself up about it, but she didn't feel it was right not to either.
The character in Cecelia Ahern's "One Hundred Names" grapples with a profound fear of solitude. She feels trapped in her thoughts, oscillating between the desire to escape the emotional turmoil and the moral obligation to confront her feelings. This internal struggle reflects her deep uncertainty about how to proceed with her life and emotions.
Ultimately, she is caught in a cycle of self-reflection, unsure whether ignoring her fears is a viable option. The tension between wanting to move on and feeling bound to acknowledge her pain illustrates how challenging it can be to navigate complex emotions, especially when faced with the prospect of being alone.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
