In Margaret Atwood's "The Heart Goes Last," Stan comes to terms with his situation by accepting the arrangement that involves chickens. This decision leads to a peculiar but pragmatic resolution of his circumstances, highlighting a moral ambiguity in his actions and role. By allowing the chicken assignations, he navigates a difficult path to survival.

This new identity as a "chicken pimp" portrays the extremes individuals may go to in order to avoid dire outcomes. Although it is an unusual label, it signifies a choice that keeps him alive, suggesting that sometimes, embracing unconventional roles can be a means of self-preservation in challenging times.