The character portrayed in "Station Eleven" is perceived by others as eccentric, a notion reinforced by her unique lifestyle choices and artistic privacy. Her husband Arthur references her talent for creating obscure cartoons, which adds to her enigmatic persona. While she doesn't engage in local social life, opting for solitary long walks and companionship with her Pomeranian, there is an air of mystery surrounding her personal relationships, particularly her lack of friends.

This perceived isolation leads her to question how she is viewed by others. Despite feeling awkward, she is relieved that her friendlessness is not a topic of public discussion. This private struggle with self-perception contrasts with the external perception of her, as her husband views her artistic endeavors as a sign of individuality rather than a reason for social alienation.