The shot is an extreme close-up, making it impossible to tell, without already knowing, what kind of flesh it is. It could be Julia Child skinning poultry before a studio audience. The seminar
The passage describes an extreme close-up shot that leaves the viewer uncertain about the identity of the flesh depicted. This ambiguity could lead one to think it might be a scene involving Julia Child preparing poultry on camera, but without prior knowledge, it's difficult to discern what is really being shown.
This quote is taken from Mary Roach's book, "Stiff: The Curious Lives of Human Cadavers," which explores the uses and stories of human bodies after death. The author delves into various aspects of anatomy and cadaver use, often with a humorous and curious tone that invites readers to consider the unusual lives of human remains.
