There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
The painting in question effectively captures the essence of men without depicting them directly. It serves as a commentary on their impact on women, illustrating how these men can evoke strong emotions and experiences. The comparison of men to natural elements like weather suggests their unpredictable and uncontrollable nature, highlighting that their influence can be both overwhelming and harmful, yet devoid of intention or awareness.
Furthermore, the metaphor of men as sharp, slippery rocks emphasizes the idea of navigating through life cautiously. Women must tread carefully to avoid harm, yet when accidents happen, blaming the rocks seems futile. This perspective underscores the complexities of relationships and the often unacknowledged roles that men play in shaping women's experiences, portraying them as forces of nature rather than conscious beings.
