We used to talk about death, she said. We don't anymore. Why is that?I don't know.It's because it's here. There's nothing left to talk about.I wouldn't leave you.I don't care. It's meaningless. You can think of me as a faithless slut if you like. I've taken a new lover. He can give me what you cannot.Death is not a lover.O yes he is.Please don't do this.I'm sorry.I can't do it alone.
In this exchange, there is a poignant discussion about the presence of death in the characters' lives. One character reflects on how their conversations surrounding death have ceased because it has become a reality. This shift indicates a deeper awareness and acceptance of mortality. The implication is that once death is faced, there seems to be less to articulate about it, suggesting a profound sense of fatigue or resignation towards the subject.
Furthermore, the dialogue reveals a complex emotional struggle. One character expresses a newfound relationship with death, portraying it as an inescapable and powerful force, one that offers a sense of companionship that they feel is lacking in their current relationship. The response reveals feelings of despair and helplessness, as they plead for support yet engage in a harsh admission of finding solace in an irreversible truth, underscoring the depth of their turmoil.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
