You'll see a lot more blood in 'Saw' movies or something like that than you will in either of the 'Last House' movies. I kind of think it owes more to 'The Virgin Spring' which is the original source material, the Bergman movie.
This quote highlights the evolution of horror and exploitation cinema, emphasizing the influence of artistic and cinematic traditions on more visceral and graphic films. The speaker suggests that contemporary horror franchises like 'Saw' tend to focus heavily on gore and graphic violence, which may overshadow the deeper thematic elements found in their source materials. Comparing 'Saw' to the earlier 'Last House' movies, the artist points out that the latter, while still provocative, possibly exhibit different creative intentions and stylistic choices.
The mention of 'The Virgin Spring' — a 1960 film by Ingmar Bergman — is particularly insightful. Bergman's work is renowned for its profound exploration of morality, violence, and human nature through a poetic and artful lens. By asserting that modern horror owes more to Bergman than to exploitation films, the quote underscores a subtle yet significant connection: that even violent or shocking movies can carry deeper philosophical implications or be rooted in richer cinematic traditions. This perspective invites viewers to reconsider such films not just as mere entertainment or gore, but as reflections of complex themes like justice, redemption, and the darker facets of human existence.
Overall, this quote encourages a nuanced view of horror movies, suggesting that genuine artistic influence can be found across genres and that understanding these roots can lead to a greater appreciation of contemporary films. It reminds us that visual brutality alone does not define the artistic value of a film; instead, its underlying themes, influences, and the way it engages with core human questions are equally vital.
