Category: modernism
Quotes of Category: modernism
Every little thing makes a difference, whether you decide it yourself or whether it's pure accident. So many people have had the whole course of their lives changed by something perfectly simple like, let's say, crossing the street at one point instead of another.""Yes, yes, yes, I know," Stenham said with exaggerated weariness. "As far as I'm concerned that's just as boring, and a lot more false, by the way. The point I'm trying to make is that he loves his world of Koranic law because it's his, and at the same time he hates it because his intuition tells him it's at the end of its rope. He can't expect anything more from it. And our world, he hates that too, just on general principles, and yet it's his only hope, the only way out-if there is one for him personally, which I doubt. book-quotecultureway-of-lifekoranI should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed-maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it. book-quotenovelpsychologyjapanWhat does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but "a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators." In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this "quick and sagacious penetration" {Fielding}, Musil had already long ago discerned the "society of spectacle. book-quotepoliticsrageprotest