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  1. Susanna Clarke _ Jonathan Strange & Mr Norrell

    Childermass knew what games the children on street-corners are playing - games that all other grown-ups have long since forgotten. Childermass knew what old people by firesides are thinking of, though no one has asked them in years. Childermass knew what young men hear in the rattling of the drums and the tooting of the pipes that makes them leave their homes and go to be soldiers - and he knew the half-eggcupful of glory and the barrelful of misery that await them. And all that Childermass knew made him smile; and some of what he knew made him laugh out loud; and none of what he knew wrung from him so much as ha'pennyworth of pity.
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  2. Susanna Clarke _ Jonathan Strange & Mr Norrell

    If magic does not have friends in Yorkshire where may we find them?
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  3. Farah Mendlesohn _ Rhetorics of Fantasy

    One cannot write about Jonathan Strange and Mr. Norrell without considering the footnotes. The experienced reader is conditioned to see footnotes as dry, as a way of grounding the text in reality. But footnotes are also an intervention, or intrusion into the flow of the text, and Clarke takes advantage of this figuring. In Jonathan Strange and Mr. Norrell, it is in the footnotes that the world of the fantastic slips through to disrupt the meaning or common understanding of the tale told in the main text. The "explanation" they offer is of worlds slipping between each other, of uncontrolled contact with fairy.
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