All Art is Propaganda: Critical Essays - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

All Art is Propaganda: Critical Essays - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

"All Art is Propaganda: Critical Essays" is a collection of writings by George Orwell that explores the intricate relationship between art, politics, and society. In this compilation, Orwell delves into the ways art can shape public perception and the responsibility of artists to engage with political themes. He argues that all artistic expression carries an underlying message, whether intentional or not, and that art often serves as a tool for propaganda, influencing the beliefs and actions of individuals and societies.

Orwell critiques various forms of art, including literature and cinema, highlighting how they can reinforce ideologies or challenge the status quo. He emphasizes the need for genuine expression that reflects reality and criticizes art that panders to popular sentiment or serves oppressive regimes. The essays call for a thoughtful consideration of how art is used in the service of power and the importance of artistic integrity.

Throughout the collection, Orwell's insightful commentary invites readers to reflect on the ethical implications of art and its capacity for social change. He advocates for an art that not only entertains but also educates and inspires critical thought. This book serves as a timeless reminder of art's potential to provoke, challenge, and encourage deeper understanding of the human experience in the context of political and social realities.

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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven โ€“ Bertie's age โ€“ the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
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Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way โ€“ to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty โ€“ at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
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Small towns are like metronomes; with the slightest flick, the beat changes.
by Mitch Albom
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
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we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
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Where there's bluster, thinks Luisa, there's duplicity
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I have the tendency to be nervous at the sight of trouble looming. As the danger draws near, I become less nervous. When the peril is at hand, I swell with fierceness. As I grapple with my assailant, I am without fear and fight to the finish with little thought of injury.
by Jean Sasson