Preface to Shakespeare - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

Preface to Shakespeare - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

"Preface to Shakespeare" offers a critical analysis of Shakespeare's work, highlighting the playwright’s genius and the enduring relevance of his plays. The author emphasizes the importance of understanding the historical and social context in which Shakespeare wrote, which helps to appreciate the depth of his characters and themes. This preface serves as an introduction to the complexities of Shakespearean drama, encouraging readers to explore the intricate layers within the texts.

Furthermore, the preface discusses Shakespeare’s unique approach to character development, noting how his characters reflect a wide range of human emotions and experiences. The author argues that Shakespeare's ability to depict the human condition with such nuance is what sets him apart from other playwrights of his time. The interplay between fate and free will is also explored, showcasing how these elements shape the narratives within his plays.

In conclusion, the "Preface to Shakespeare" not only serves as an introduction to Shakespeare’s works but also as a celebration of his literary contributions. It invites readers to engage with the texts on a deeper level, fostering appreciation for the timeless themes and characters that continue to resonate with audiences today. The preface ultimately reinforces Shakespeare's status as a monumental figure in literature, whose works transcend time and cultural boundaries.

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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
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In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
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Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
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Small towns are like metronomes; with the slightest flick, the beat changes.
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You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
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we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
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But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
by David Mitchell
Where there's bluster, thinks Luisa, there's duplicity
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