Shadow of the Moon - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

Shadow of the Moon - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

"Shadow of the Moon" by Richard Cohen is a historical novel set in 1857 India during the tumultuous period of the Sepoy Mutiny. The story intertwines the lives of various characters, including British soldiers and Indian rebels, highlighting the cultural clashes and complexities of colonial rule. This rich narrative brings to light the human experiences behind the historical events, portraying both the brutality of war and the deep connections formed amidst conflict.

Cohen's writing vividly captures the landscapes of India and the emotions of its characters. The characters are well-developed, each representing different perspectives on the British Raj and the uprising. Through their journeys, readers gain insights into the motivations and consequences of their actions, emphasizing the shared humanity in the face of political strife.

The novel ultimately explores the themes of loyalty, betrayal, and the quest for freedom. It challenges readers to reflect on the moral implications of colonialism and the personal stories lost within the broader historical narrative. "Shadow of the Moon" serves as a poignant reminder of the complexity of human relationships in times of upheaval, making it a compelling read for those interested in history and its impact on personal lives.

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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven โ€“ Bertie's age โ€“ the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
by Alexander McCall Smith
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way โ€“ to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty โ€“ at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
by Mitch Albom
Small towns are like metronomes; with the slightest flick, the beat changes.
by Mitch Albom
In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
by Alexander McCall Smith
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
by Mitch Albom
we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
by Mitch Albom
I have the tendency to be nervous at the sight of trouble looming. As the danger draws near, I become less nervous. When the peril is at hand, I swell with fierceness. As I grapple with my assailant, I am without fear and fight to the finish with little thought of injury.
by Jean Sasson
But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
by David Mitchell