The Golden Man - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

The Golden Man - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

"The Golden Man," a science fiction short story by Philip K. Dick, explores a world where individuals possess extraordinary abilities and how society reacts to these differences. The protagonist, a seemingly perfect young man named T.P. A. “Golden” Man, has an extraordinary genetic trait that makes him desirable yet dangerous. His golden skin foreshadows his exceptional nature, leading to a governmental quest to understand and control his powers.

The narrative delves into themes of fear, control, and the ethical dilemmas surrounding genetic manipulation. As authorities pursue Golden, they grapple with questions about free will, the implications of pre-emptively eliminating threats, and the societal tendency to ostracize those who are different. The interactions between Golden and the authorities highlight a complex relationship defined by fear of the unknown.

Ultimately, "The Golden Man" raises profound questions about humanity's future as genetic engineering and enhancement become more prevalent. Through the character of Golden, Dick invites readers to ponder the consequences of pursuing perfection and the potential alienation of those who don’t fit societal norms. The story serves as a cautionary tale about the risks of trying to control what makes us human.

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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
Small towns are like metronomes; with the slightest flick, the beat changes.
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Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
by Mitch Albom
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
by Mitch Albom
we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
by Mitch Albom
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
by Alexander McCall Smith
I have the tendency to be nervous at the sight of trouble looming. As the danger draws near, I become less nervous. When the peril is at hand, I swell with fierceness. As I grapple with my assailant, I am without fear and fight to the finish with little thought of injury.
by Jean Sasson
But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
by David Mitchell
There's lying," says Mum, fishing out the envelope she wrote the directions on from her handbag, "which is wrong, and there's creating the right impression, which is necessary.
by David Mitchell
The nun said, I can forgive the language. I'm not sure I can forgive your making an obscene gesture at your mother. Ya gotta know her, Holland said. If you knew her, you'd give her the finger, too.
by John Sandford