The Journals of Susanna Moodie - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

The Journals of Susanna Moodie - Bilingual quotes that celebrate the beauty of language, showcasing meaningful expressions in two unique perspectives.

The Journals of Susanna Moodie is a collection of writings by the early Canadian author Susanna Moodie, documenting her experiences as an immigrant from England to Canada in the 19th century. The book offers a unique perspective on the challenges and hardships she faced while adjusting to the harsh realities of frontier life, including her encounters with nature and the difficulties of rural living. Moodie's eloquent prose captures both the beauty and brutality of her surroundings, illustrating her struggles with isolation and cultural dislocation.

The work is also notable for its reflections on gender roles and the expectations placed on women during that era. Moodie provides insight into the daily life of women, emphasizing their resilience and strength in overcoming the obstacles they encounter in a predominantly male-dominated society. Her journals serve not only as a personal narrative but also as a commentary on the broader social conditions of her time.

Overall, The Journals of Susanna Moodie is a poignant exploration of identity, belonging, and the immigrant experience in Canada. Moodie’s observations and vivid descriptions make her story relatable, revealing the universal themes of struggle, adaptation, and ultimately, survival. Her writings remain a significant contribution to Canadian literature, giving voice to the often overlooked stories of women in history.

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Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
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All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
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In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
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Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
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Small towns are like metronomes; with the slightest flick, the beat changes.
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You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
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we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
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But an ink brush, she thinks, is a skeleton key for a prisoner's mind.
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Where there's bluster, thinks Luisa, there's duplicity
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