My earliest memory of actually definitely wanting to be a filmmaker was when I got thrown out of class when I was 10 and I was storyboarding a short film I wanted to make with my friend's camera.
I grew up on camera. I started at 16.
The film 'Richard's Things' was my first time in front of a camera. It was scary but great fun.
I like to work behind the camera.
I know it's not particularly tech-savvy of me to suggest a camera that doesn't have a touchscreen, but I think when it comes to candid shots of nights out with friends, there's nothing better than a...
You've got to love acting and that's true for me. I love the idea of getting on stage and getting in front of a camera.
Akshay Kumar is always on time. He is always disciplined and hardworking but also always entertaining, fun behind the camera and also in front of it.
We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction,...
I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.
I like having the digital camera on my smart phone, but I also like having a dedicated camera for when I want to take real pictures.
I took my children to see 'Son of Rambow,' about two boys who make a home movie with a video camera. When you have children, culturally you become involved in their life.
My directors of photography light my films, but the colours of the sets, furnishings, clothes, hairstyles - that's me. Everything that's in front of the camera, I bring you.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
The camera introduces us to unconscious optics as does psychoanalysis to unconscious impulses.
Life came in and put me in front of the camera before I could really make a decision, but I think I probably would have gravitated to film.
I learnt a lot as a child actor. Since I had been before the camera, I knew how it would be to be on a set or on a shoot. That way it was easy for me when I re-entered the industry as the main lead.
In the next shot the cameras zoomed to the fiancée who noticed the lights in the Czarina's room go out and the camera then turned to the pond where two goldfish were making love.
I think half the battle is just being comfortable in front of the camera - and I already am, doing so many videos and interviews, so then it just takes that extra step of trying to get into character.
I think everything within film and TV helps inform every other role, so it's definitely helped my acting, being on the other side of the camera, and it's just given me a whole new appreciation for how...
There is something timeless and beautiful about cooking straight to camera.
Until the writers room sets it down on a sheet of paper and then it gets in front of a camera, it's all vaporware.
In my hand luggage I always have my camera, iPod, make-up bag, toothbrush, cleansing products, clean underwear, socks, and a change of clothes in case anything goes missing at the other end - and of...
There are moments in 'The Raid 2' where I wanted to use the camera to question screen violence.
I love Polaroids and I have a Polaroid camera collection from the '50s.
You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.
Hidden camera shows were coming back around 2010, so we got together one night and we said, 'What's our version of a hidden camera show?'
In classical oil painting, there seemed to be a radical turn to seeing things as the camera sees them, with that technological modification. I began to have a tremendous problem with all of this.
There's always a certain amount of camera improvisation.
I'm petrified of facing the camera. Even to shoot for a photograph is an ordeal. But it's important to break free of your inhibitions at some point in your life.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
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