When you dig in, two big titans clashing, what good is that? It's not good for either of us; it's not good for the industry.

I would love to work with Megan Thee Stallion, City Girls, Cardi B, Nicki Minaj.

I do not want to act unless I have a great intimacy with the people I'm working with.

I've done records where I've collaborated with people. I think it's dope, and to be honest, whenever I do that, I get a different result.

And we think that our citizens and yours would be very angry if they thought that we hadn't taken every possible step for prevention and then for joint action in the likelihood of those who threaten...

Each song is a little snippet of my life - and I got to work with Rudimental!

I'd like to collaborate with Jay-Z and Mary J. Blige.

I would not have one turntable if my brother didn't buy the turntable. I was the dreamer; he was the doer.

I come from a theatrical background, where, if you're working on a movie or a play, you always respect the people you work with. You're accommodating.

Recording with Meek Mill for me was like when Allen Iverson played with Michael Jordan for the first time.

I'll rock with anyone - vintage rappers, young dudes, anyone.

I've always been happiest being part of a team.

I want to take roles that challenge me and I want to like the script and obviously feel connected with the director because the director to me is so important.

What a good session musician does is listen to the song, to the artist, and to the other players. That way you can help bring out the song and help the artist express what they want to express. It's...

I really believe in a community effort.

Everything about the movie 'Dope' is real artistry, and everybody put their full hearts and souls into it. It's a passion project; it's not one of those things everybody got paid a million dollars to...

Adobe and Apple have collaborated a lot over the decades. There's a lot more for us to do as well.

I made and created a show that my family was all on board with, and we were so excited because we got to work together.

I think being part of Pentatonix has helped my arrangement style a lot, and that's helped me expand myself.

It takes a year for us to generate a script that is ready to shoot. There are maybe 20 drafts of a script. And, each time, someone saying 'I don't really love this,' we discuss it for 15 minutes.

There is no problem that doesn't have some underlying need for more optimism, stamina, resilience and collaboration. And games are, I believe, the best platform we have for providing that.

I'm better suited to be a director, I think. I see myself as the general author. I hate the word 'auteur,' because it sounds so solitary when filmmaking is anything but solitary.

In our orchestra we have many nationalities, types, and temperaments.

You have to strike a balance between imprinting the film with your voice, and trusting these amazing, talented people you've hired to do great work.

You make 'em, I amuse 'em.

I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.

For good ideas and true innovation, you need human interaction, conflict, argument, debate.

In the future, I think it's pretty plausible that collective intelligence tools and skills will be important in order to be a part of global dialog, global business, and global creativity. People who...

What's great about collaborating is getting to work with wonderful people. That's what theatre is about: other people getting you to give your best, and getting everyone else's best out of them.

Sports teaches you to understand the meaning of a team. You need to be able to work with everybody; you don't have to be their best friend. You can experience the fun of competition and driving toward...