By Blake's model, as I understand it, it's as though the Fifth Symphony existed already in that higher sphere, before Beethoven sat down and played dah-dah-dah-DUM. The catch was this: The work existed only as potential - without a body, so to speak. It wasn't music yet. You couldn't play it. You couldn't hear it. It needed someone. It needed a corporeal being, a human, an artist {or more precisely a genius, in the Latin sense of "soul" or "animating spirit"} to bring it into being on this material plane. So the Muse whispered in Beethoven's ear. Maybe she hummed a few bars into a million other ears. But no one else heard her. Only Beethoven got it. He brought it forth. He made the Fifth Symphony a "creation of time," which "eternity" could be "in love with."
( Steven Pressfield )
[ The War of Art ]
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