A guitar twanged from the far-off radio. Country music. Damn. They'd resorted to torture already.
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In Kelley Armstrong's book "Stolen," a character expresses disdain for the country music playing from a distant radio. The genre invokes a strong negative reaction, suggesting that its selection feels like an act of torment. The character's frustration highlights their current predicament, suggesting distress or captivity that is exacerbated by the sounds around them.
This moment reveals not just personal taste, but also serves to illustrate the character's emotional state and the severity of their situation. The association of the music with suffering underscores a feeling of entrapment, making the mundane aspect of radio music feel oppressive rather than enjoyable.
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