She thought about the sister of the Queen of England and said to herself that the camera was present at the present time. One eye is replaced by everyone's eye. Life has turned into one and spacious free party where everyone participates. Everyone can see the princess of England while celebrating her naked birthday on the beach of Madari. It appears that the photography device is only interested in the famous people, but it is sufficient for a plane to crash near you, that the flames rise from your values, until you also become famous and they are included in the public party that has nothing to do with joy but rather that officially declares that no one can hide in Any place, and that each one is at the mercy of everyone
The narrator reflects on the presence of cameras in modern life, pondering the public scrutiny faced by famous figures, such as the Queen of England's sister. They observe that this moment transforms life into an extravagant celebration where everyone's gaze is fixated on the privileged, exemplified by the spectacle of a royal's nudity on a beach. The narrative suggests a collective experience where fame is fleeting and dependent on visual representation.
This phenomenon illustrates a stark reality where even the most private moments can be exposed, as tragedy can thrust anyone into the limelight. The author conveys a sense of vulnerability, emphasizing that no one can escape the watchful eyes of society. The concept of an all-seeing public transforms life into a stage where privacy is an illusion, and the celebration of one's existence becomes intertwined with the constant presence of the camera.
