Alarm clocks were going off in the city now. One after another, sometimes two or three together, they drove their small silver knives into the body of the great dream that sprawled naked on the housetops. Sensual, amiable, and defenseless as it was, it would still take a little while to die.
In the city, alarm clocks resonate in a chorus, each sound piercing through the tranquility of the morning like small knives. The great dream, personified as vulnerable and laid bare upon the rooftops, represents the alluring yet fleeting nature of life's aspirations. Each alarm is a reminder of the harsh transition from peaceful slumber to the demands of reality.
Despite its sensual and amicable demeanor, this dream clings to life, resisting immediate dissolution. It suggests that while the awakening may be jarring, the essence of dreams endures for a while longer, lingering even as the day begins. The imagery evokes a poignant moment of loss, capturing the struggle between the comfort of dreams and the inevitability of waking life.