In "Cry, The Beloved Country," Alan Paton emphasizes the centrality of Johannesburg in the lives of both black and white South Africans. The city represents a beacon of opportunity and necessity amidst hardships like failed crops or the burden of taxes. It serves as a destination for those seeking work, illustrating the economic reliance many have on the urban environment.

Furthermore, Johannesburg is portrayed as a place of secrecy and hope, where personal life events, such as childbirth, can occur away from scrutiny. This duality highlights the profound impact the city has on individuals and serves as a backdrop for their aspirations and struggles, reinforcing its significance in South African society.