In Simon Schama's book "Hang-Ups: Essays on Art," he describes a striking artwork by Rembrandt featuring an ox carcass. The painting presents the carcass in such a raw and visceral way that it appears almost alive, evoking a sense of discomfort in the viewer. The lifelike quality of the depiction creates a powerful emotional response, showcasing Rembrandt's mastery in capturing both the physical form and the essence of death.

This portrayal challenges the audience's perception of mortality and the relationship between life and death in the realm of art. Schama highlights how Rembrandt's work transcends mere representation, inviting deeper contemplation on the nature of existence and the humanity reflected in such stark imagery. The piece serves as a poignant reminder of the fragility of life and the artistry involved in engaging with such themes.