As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

📖 John Dykstra

🌍 American  |  👨‍💼 Scientist

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This quote highlights the fascinating nature of perception and the way humans interpret visual stimuli. It emphasizes that although individual perception might differ—such as the perception of a particular shade of red—there exists a shared understanding of what constitutes a digital or film image. This shared understanding stems from measurable technical parameters like contrast, bit depth, and refresh rate, which are objective markers that define and distinguish digital images from other visual media. It underscores the idea that perception is both subjective and collective: our sensory experiences differ, but in contexts like digital imaging, common standards and characteristics bridge these perceptual gaps. This insight is particularly relevant in fields like filmmaking, photography, and digital media, where understanding both the technical specifications and perceptual nuances is essential. It also invites reflection on the broader notions of how subjective experiences influence our interpretation of art, technology, and reality. Recognizing that our sensory perceptions are unique yet anchored by technical and cultural standards can foster greater appreciation for the diversity of human experience while also emphasizing the importance of agreed-upon criteria in communication and technology. Ultimately, the quote encourages us to consider the balance between perception and measurement, allowing us to appreciate the complexity behind seemingly simple visual experiences.

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July 18, 2025

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