breathed breakfast Madeira in my face. Charlot, he has robbed me! I looked at her blankly; not breathing until she removed her face from mine, and sank back onto the velvet cushions. I have married a thief! Madame clutched her reticule to her bosom as though I had designs on one or the other, and in a torrent of Frenchified English told me how she had owned stock in a toll-bridge near Hartford. During the first raptures of their honeymoon in the house of Governor Edwards, the Colonel persuaded her to sell the stock. So trusting, so loving, so secure in her new place as the bride of a former vice-president, Madame
by Gore Vidal
(0 Reviews)
In the narrative, the protagonist finds herself in a moment of shock and disbelief after her new husband, Charlot, has seemingly stolen her affection, prompting her to declare, "I have married a thief!" This revealing moment occurs as she recoils from him, clinging to her belongings out of fear of further betrayal. The scene captures her naiveté, highlighting the juxtaposition between idealized love and unsuspected betrayal in their newlywed life. Madame's reaction illustrates the innocence of her trust, as she passionately recounts her past investment in a toll-bridge, suggesting a blend of pride and fragility in her character. This dialogue unfolds against the backdrop of Governor Edwards' house, creating a contrast between societal status and personal vulnerability. Through their brief exchange, Vidal explores themes of trust, deceit, and the complexities of relationships, especially in the context of marital dynamics during that era.

In the narrative, the protagonist finds herself in a moment of shock and disbelief after her new husband, Charlot, has seemingly stolen her affection, prompting her to declare, "I have married a thief!" This revealing moment occurs as she recoils from him, clinging to her belongings out of fear of further betrayal. The scene captures her naiveté, highlighting the juxtaposition between idealized love and unsuspected betrayal in their newlywed life.

Madame's reaction illustrates the innocence of her trust, as she passionately recounts her past investment in a toll-bridge, suggesting a blend of pride and fragility in her character. This dialogue unfolds against the backdrop of Governor Edwards' house, creating a contrast between societal status and personal vulnerability. Through their brief exchange, Vidal explores themes of trust, deceit, and the complexities of relationships, especially in the context of marital dynamics during that era.

Stats

Categories
Book
Author
Votes
0
Page views
12
Update
February 10, 2025

Rate the Quote

Add Comment & Review

User Reviews

Based on 0 reviews
5 Star
0
4 Star
0
3 Star
0
2 Star
0
1 Star
0
Add Comment & Review
We'll never share your email with anyone else.
More »

Other quotes in Burr

More »

Popular quotes

Taffy. He thinks about taffy. He thinks it would take his teeth out now, but he would eat it anyhow, if it meant eating it with her.
by Mitch Albom
All our human endeavours are like that, she reflected, and it is only because we are too ignorant to realize it, or are too forgetful to remember it, that we have the confidence to build something that is meant to last.
by Alexander McCall Smith
In fact, none of us knows how he ever managed to get his LLB in the first place. Maybe they're putting law degrees in cornflakes boxes these days.
by Alexander McCall Smith
The value of money is subjective, depending on age. At the age of one, one multiplies the actual sum by 145,000, making one pound seem like 145,000 pounds to a one-year-old. At seven – Bertie's age – the multiplier is 24, so that five pounds seems like 120 pounds. At the age of twenty four, five pounds is five pounds; at forty five it is divided by 5, so that it seems like one pound and one pound seems like twenty pence. {All figures courtesy of Scottish Government Advice Leaflet: Handling your Money.}
by Alexander McCall Smith
Look, if you say that science will eventually prove there is no God, on that I must differ. No matter how small they take it back, to a tadpole, to an atom, there is always something they can't explain, something that created it all at the end of the search. And no matter how far they try to go the other way – to extend life, play around with the genes, clone this, clone that, live to one hundred and fifty – at some point, life is over. And then what happens? When the life comes to an end? I shrugged. You see? He leaned back. He smiled. When you come to the end, that's where God begins.
by Mitch Albom
Small towns are like metronomes; with the slightest flick, the beat changes.
by Mitch Albom
You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole.
by Mitch Albom
we get so many lives between birth and death. A life to be a child. A life to come of age. A life to wander, to settle, to fall in love, to parent, to test our promise, to realize our mortality-and, in some lucky cases, to do something after that realization.
by Mitch Albom
Where there's bluster, thinks Luisa, there's duplicity
by David Mitchell
I have the tendency to be nervous at the sight of trouble looming. As the danger draws near, I become less nervous. When the peril is at hand, I swell with fierceness. As I grapple with my assailant, I am without fear and fight to the finish with little thought of injury.
by Jean Sasson