but when the call came from Shirley Pedler to help in organizing the Utah Coalition Against the Death Penalty, she knew she would go out in the world again with her freaky blond hair, blond to everyone's disbelief-at the age of fifty-four, go out in her denims and chin-length-hanging-down-straight vanilla hair to that Salt Lake world where nobody would ever make the mistake of thinking she was a native Utah lady inasmuch as Utah was the Beehive State. The girls went big for vertical hair-dos, pure monuments to shellac.
In "The Executioner's Song" by Norman Mailer, the character reflects on a significant call from Shirley Pedler regarding the organization of the Utah Coalition Against the Death Penalty. At fifty-four, she is prepared to step back into the public sphere, embracing her distinctive appearance, which includes her unconventional blond hair and casual attire. Despite the cultural norms of Utah, known as the Beehive State for its emphasis on traditional beauty, she retains her individuality.
Her decision to engage with the Salt Lake community highlights the contrast between her personal style and the local expectations, particularly given the popularity of elaborate hairstyles among the women there. This serves as a metaphor for her broader challenge against societal norms as she advocates for a significant cause, emphasizing the power of personal identity in activism.
