In Michael Ondaatje's "In the Skin of a Lion," Commissioner Harris reflects on the disturbing reality of his first child, who has already committed murder. This moment serves as a powerful commentary on the intricate relationship between creation and destruction, highlighting the anxiety of parenthood and the unexpected consequences of one's legacy.

Harris's position at the end of the pathway symbolizes his isolation and the weight of his thoughts as he grapples with the actions of his offspring. The juxtaposition of innocence and guilt underscores the complexity of human nature, suggesting that even those we cherish can become sources of pain and despair.