Creating some god for one's inspirations was always a good way to avoid accusations of pride should the scheme succeed, as well as the blame if did not.
In "The Penelopiad," Margaret Atwood explores the dynamics of inspiration and accountability through the concept of creating a divine figure to attribute success or failure. By doing so, individuals can navigate the complexities of pride and blame, ensuring that they are not solely held responsible for the outcomes of their aspirations. This approach allows for a shared sense of achievement or failure, distancing oneself from the personal consequences of their ambitions.
Atwood's commentary highlights a common human tendency to externalize credit and responsibility, especially in endeavors that carry significant risk. The notion of invoking a god or higher power as a source of inspiration serves as a protective mechanism. It reflects the intricate relationship between personal ambition, societal expectations, and the need for validation beyond oneself.
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All the things you can talk about in anyone's work are the things that are least important.
Race of Cain, ascend to heaven, And cast God down upon the earth!
