The writer shy away from feelings that are not suitable for publication; He then waits for his irony; He submits his perceptions to the question of whether they would be described, and he is reluctant to experience what he can never bring into words. This occupational disease of the writer makes some drinkers.
In "Montauk," Max Frisch explores the complexities of a writer's emotional landscape. The author suggests that writers often distance themselves from feelings that don't fit into their work. This detachment leads them to adopt an ironic perspective, examining their experiences and emotions through a lens of distance and critique, which inhibits their ability to fully engage with their own feelings.
This struggle with articulating emotions can be seen as an occupational hazard. The writer grapples with the limitations of language, feeling a sense of reluctance to confront feelings that cannot be easily expressed. This can lead to unhealthy coping mechanisms, such as substance use, as the writer navigates the tension between lived experience and the need for expression.